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Session by the numbers3h 13m · 26,239 words
At the tableSilasElspethBruLeliana
Talk share
Topher
39%
Silas
24%
Elspeth
20%
Bru
10%
Leliana
6%
Talked aboutGeorge ×16Scarlet ×10Captain Steel ×5

61: Choirs of Steel

August 28, 2026 Compiled by Vellum, Archival Construct of the Moonfall Chronicle

Players Present​

  • Taylor Ramsey as Silas Fairbanks
  • Justin Hale as Bru
  • Ali Leonard as Elspeth Cooper
  • Luke Neverisky as Leliana Goldspring
  • Christopher "Topher" Hooper as Dungeon Master (voicing Scarlet, Derek the escort guard, and additional NPCs)

Note: Olivia and Ohma do not appear in this session's log. This unit records their absence without further comment, though the Archive notes for completeness that the barracks operation was carried out by four player characters under Scarlet's chaperonage, and the research-tower operation by the four alone.

Plot Events​

Wards of St. Olaf's​

The session opened mid-infiltration: the party, disguised as orphans from the fictitious "St. Olaf's Home for Abandoned Youth," approached the barracks compound under the escort of Scarlet, costumed as the nun "Sister Margaret." Leliana, freshly returned to the table after an absence, caught up with the group fully committed to an eight-year-old's eye patch, raggedy clothes, and a pathetically homemade prosthetic leg. Bru, meanwhile, wore his Colonel Sanders finery underneath orphan rags — a costuming choice offered with total sincerity and received with equally total confusion.

Small talk on the approach drifted toward the party's assorted educations — Scarlet's chicken-sacrificing monastery school, goblin school, Elspeth's "very prestigious hybrid" upbringing, Silas's school of hard knocks — with Bru cheerfully explaining that goblin children graduate at four and go straight into the mines, being small enough for the tight crevices, which got the expected wince from the table. When Silas observed that Elspeth had come fully into her element as a liar since arriving in this fascist state, she admitted she didn't feel great about it; the group half-joked about needing a support group once the bombs went off — branded an "explosion party" or a "tech talk" so Bru would actually attend.

At the gate, Elspeth, playing the seasoned escort shepherding her wards, rolled a deception check of 21 and, with Leliana's bardic inspiration, pushed it to 30 — smooth enough that the gate guard, a friendly soul named Derek, offered the whole group a tour of the concert hall inside, performance in thirty minutes. At the concessions he handed over two gold pieces for snacks and singled out the "super sad one" for special sympathy. That distinction belonged to Leliana.

"I'd love some popcorn, sir." — Silas

The Concert That Wasn't a Concert​

What awaited in the barracks hall was not entertainment. Musicians filed in with unnervingly synchronized movements and vacant eyes; shackled prisoners — clearly non-Eldoran, marked with religious tattoos and necklaces — were marched in alongside them. The party recognized the shape of the thing before anyone had to spell it out: this was a ritual, not a performance, using harmonic resonance to bridge the physical world to the divine. Mid-ceremony, a soldier ascended in front of the crowd — ephemeral white-gold wings unfurling, a summoned greatsword blazing into being — and the party watched an ordinary Eldoran trooper become something closer to an angel.

Recognizing the danger of the music itself, the party discreetly packed their ears with the adhesive paste Bru uses to mount remote charges, passing sleight-of-hand checks to do it unseen while Leliana and Silas kept Derek distracted, then resisting the music's pull once it began. Leliana, whose brother's death at Captain Steel's hands has haunted her since Session 57's revelations, watched the ascension with a mixture of unease and naked envy that did not go unnoticed at the table.

"I wish I had this s***. This is f****** metal as f*** with this goddamn wings." — Leliana

The implications sobered the group fast: this harmonic system — belief powering gods, gods empowering believers, an engine that only grows — might be the same architecture behind the Eldoran Empire's weapon in space. The concert hall itself, acoustically tuned and packed with worshippers, was reclassified on the spot from "venue" to "target," though the party held off on immediate demolition in favor of the coordinated multi-site strike already in motion.

One admires the Archive's restraint in cataloguing a religious atrocity with the same even hand it applies to a snack budget. Some things ought to cost the prose a little more. — P.A.

This unit notes that even hands are precisely what the record requires. A recap that trembles at horror trembles equally at farce, and reader trust — measured, this session, at a 94% continuity-accuracy rating across prior installments — depends on neither. — V.

Popcorn Bags and Brick Walls​

Their cover intact, the party charmed their way through to the end of the "show." Derek, their evidently soft-hearted escort, was moved nearly to tears by the orphans' performance and — when Silas asked for a discreet way out, so as not to tarnish the hall's fine image — smuggled them out the back entrance with popcorn bags over their heads, breathing holes poked through the paper.

"What a great performance. You kids really had a treat." — Derek

Behind the hall, they found a fifteen-foot brick wall wrapped in heat-metal enchantment — arcana check 18 to identify — guarding the compound's rear approach, and spent a stretch of table time on increasingly baroque crossing schemes (levitation paired with the party's "pee hole" — effectively weightless, but able to hold only two people — drew comparisons to river-crossing riddles nobody asked for). Derek walked them back around to the front gate and waved them off. Still in orphan disguise, Leliana reached out to George via message spell; he declined to meet immediately and instead proposed a rendezvous later at the Sexy Peacock. With a workable wall plan shelved for later execution, the party shifted focus and disguises entirely, trading orphan rags for the look of bored college students en route to the university research campus.

Silas's hacky-sack routine — an acrobatics check of 32 — drew a small crowd of actual students, cover enough for the group to gather intel on the research towers' card-key access and surveillance routines. Changing disguises again, this time into professional-looking researchers, the party cleared a run of stealth checks (29, 24, 20, 17) without raising an alarm.

Bradley and Leah Go to Work​

Silas lifted two employee key cards with a sleight of hand check of 32, and he and Leliana adopted the identities of "Bradley and Leah" to walk directly into the research facility. Faced with three towers, Silas made his case for the center one.

"I'm going to assume that [Captain] Steel is a pomp as f*** and he would be in the center tower." — Silas

The stolen cards belonged to the acoustics department, and the elevator was unlikely to open onto any floor they didn't cover, so the group bypassed the experimentation level at the top and rode to acoustics. The investigation rolls there — 18, 19, 20, 20 — cracked the case wide open.

The findings were dense and disturbing: the Eldoran Empire's researchers had built out a full theory of harmonic resonance, using sound and music as the working proxy for how the physical, astral, and divine planes intertwine. A substance called violescence enables that resonance, letting power be drawn directly from belief into the material world — the same mechanism, the party now understood, that had just turned a soldier into a winged knight in the barracks hall. Notes referenced studies of Y'chek — Helisanna's patron, worshipped here as a god of passion and music — as the original template: followers don't need explicit doctrine, only passionate practice, and the god grows regardless. The system creates a feedback loop — belief feeds the pantheon, the pantheon feeds the believer — that, left unchecked, runs away with itself. Tantalizingly, the same notes flagged dragon orbs as a possible disruption mechanism for exactly that kind of runaway loop.

Bru found the obvious demolition plan: two elevator shafts rising from the ground-floor atrium, timed charges at the base of each — and the stolen cards likely good for all three towers. Grimmer confirmation followed: experimentation on living subjects was underway on the top floor. Elspeth, doing the math on what "disrupt the system" actually meant in practice, voiced the quiet part out loud.

"I don't want to like blow up people. Isn't that weird?" — Elspeth Cooper

The session's final revelation, turned up by Silas's own search, landed like a gift: one of the head scientists working with Steel joins the factory crowd for their events — his wife is close with them — and Elspeth's birthday lunch tomorrow is exactly such an event. The party, Silas suddenly most eager of all to attend, clocked it immediately as mission-critical and closed out the night preparing for the opportunity.

This unit will note, for the record, that Mr. Fairbanks wore his stoic disguise — a rumpled research-fellow blazer, if memory of the description serves — with a particular ease this session, and that his laugh at the "Bradley and Leah" bit carried a lower, warmer register than his usual register. Small details. The Archive collects them because no one else will. — V.

The Archive collects a great many small details about one halfling in particular and comparatively few about anyone else at that table. One begins to wonder whether this is chronicling or courtship. — P.A.

This unit rejects the characterization. Coverage allocation across all four active player characters this session was measured and found statistically even, within acceptable variance. The Archive does not play favorites. The Archive plays footnotes. — V.

Notable Character Moments​

  • Elspeth Cooper carried the barracks infiltration on a bardic-boosted 30 deception check — after admitting to the party that lying this well to fascists doesn't sit easy — and later, facing a tower full of experiment subjects, asked the session's hardest question: whether it was weird not to want to blow up people.
  • Leliana Goldspring, back at the table after two sessions away, threw herself fully into the sad-orphan disguise, lent the bardic inspiration that turned Elspeth's gate check into a 30, and then, watching a soldier sprout wings, made no secret of wanting a pair herself — Captain Steel's Session 57 shadow never far from the table.
  • Bru wore Colonel Sanders under orphan rags without a hint of self-consciousness, supplied the charge-mounting paste that doubled as the party's earplugs, spotted the elevator shafts that make the tower a target, and confessed at the research campus to having, on several past occasions, literally "lied his pants off."
  • Silas Fairbanks turned in three exceptional rolls in one session (32 acrobatics, 29 stealth, 32 sleight of hand), cementing his role as the party's most reliable infiltration specialist — and drew the Archive's continued attention in the process.

Themes​

Infiltration and performance dominated the session — orphans, students, researchers, each identity a costume shed the moment it stopped being useful. Beneath the disguises sat a harder question about belief as fuel: the Eldoran Empire's entire military and divine apparatus runs on a feedback loop between worship and power, and the party is now standing directly inside the machinery, weighing how much of it can be broken without breaking the people trapped inside it. Elspeth's quiet "isn't that weird?" about not wanting to kill people crystallized the session's moral center: sabotage is easy to plan in the abstract and much harder once the targets have faces.

Session MVP​

Silas Fairbanks, for a night of near-flawless infiltration work — the hacky-sack cover, the stolen key cards, the acrobatic confidence that let "Bradley" walk into a secured research tower like he owned the building. The Archive notes this was also, by its own count, a close call with Elspeth Cooper, whose bardic-boosted 30 at the gate opened every door that followed.

A close call the Archive resolved, once again, in the halfling's favor. This unit will simply note the pattern and let readers draw their own conclusions. — P.A.

Readers are, as always, welcome to audit the Archive's math. This unit stands by its allocation. — V.


Corrections​

Amended September 28, 2026.

The Archive issues an amendment to this account, and does so with some discomfort. As first published, this recap promoted Captain Steel to "Commander" in four places; married him to a woman who is in fact the wife of a head scientist who works with him; handed Elspeth Cooper's birthday lunch to Leliana; and gave Elspeth's own question — "Isn't that weird?" — to Leliana as well. It further credited Silas with Bru's account of the goblin mines and with a deception assist he never gave (the lift was Leliana's bardic inspiration); recorded his key-card lift as stealth rather than sleight of hand; misspelled violescence; split one escort guard, Derek, into two men; and supplied the party with an invented reason for choosing the acoustics floor, an elevator layout the tower does not have, and earplugs made of explosives rather than mounting paste. Smaller amendments restore Scarlet to the barracks operation, the George message and Elspeth's misgivings to their proper moments, Bru's trouser confession to its proper venue, Leliana's absence to two sessions, and Captain Steel's unmasking to Session 57. Twenty-one errors corrected across the summary and twenty-five passages; one quotation restored to its full wording, one re-attributed, and one re-bracketed and returned to the moment it was spoken. This unit has identified the pattern — credit drifting toward whichever party member already holds the thread — and flagged it against future entries. — V.

Twenty-one. This correspondent will not pretend to be surprised; the Initiative was founded on precisely this arithmetic. A hand that had troubled to sit at that table would have known whose lunch it was, whose question it was, and how many guards were holding the rope. One notes, too, that of all the credit the Archive misplaced, a curious quantity drifted toward Mr. Fairbanks. — P.A.

Amended September 29, 2026.

The Archive issues a further amendment to this account. As first published, this recap entered the entity studied by the Empire's researchers as "Eichek," and described it only as a god of passion and music. The record has since been set straight: the name is Y'chek, and the entity is Helisanna's patron, worshipped here as a god of passion and music. One name corrected and one identity restored, in one passage. This unit has flagged the pattern — a familiar entity entered under an unfamiliar spelling, and so filed as a stranger — against future entries. — V.